I'm a bit of a scrooge when it comes to college a cappella. I can't really explain it -- something about the silly costumes, choreography and bubbly enthusiasm just, well, gets to me.
How thrilled I was, then, to get a fresh perspective, when the Indo-Asian News Service's first-hand account of a Yale Whiffenpoofs concert showed up in my news alerts.
The self-described "uninitiated" reporter, who attended the American Embassy's 4th of July celebration in New Delhi, delivers some inspiring reporting:
The Whiffenpoofs stood in a semi-circle and sang mostly in old-fashioned harmony using their voices and finger-taps as rhythm beats. The concert was interspersed with wisecracks and jokes about the fabled rivalry between Yale and its high-brow adversary, the Harvard University.
Indeed, as I read the article, I realized I had vastly underappreciated a cappella, especially this particular group. Not only did the Whiffenpoofs finger-tap their own rhythm beats, they even managed to slip in that classic jab about how many the Harvard University students it takes to screw in a lightbulb. It must have been quite a performance.
The article continues:
The songs were simple melodies about everyday life of college gentlemen-of the pubs, the beers, girls and contemporary global issues. For instance, 'Gentlemen rankers', one of the Whiffenpoof's early compositions talks about the 'godforsaken troops in her majesty, the empress of England's service during the world war in the colonies'.
This, however, made me upset at the Whiffenpoofs. Contemporary global issues like the empress of England's troops in the colonies are too sensitive right now to be sung about. God save the Empress!
After the jump, the article in full.
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